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Start of Sci Fi Novel 'Guardians'

By Lupine Rob | Posted: 02 December 2008

Views: 370
Guardians

	His eyes flickered open, a small pool of blood that stemmed from a cut on his head was the first image he saw. Took him a moment or two to realise he was lying on a concrete floor, almost completely face down with his head twisted slightly so his left ear was pressed against the concrete. As his eyes adjusted to the daylight he gathered from his position that he was in small building, furnished only with four chairs and two tables, all wooden. Blinked a couple of times in an attempt to aid the adjusting to light process, then he was shocked to see a young lady sitting on one of the tables. He could've sworn she wasn't there a moment ago, where had she come from? If she had been there he definitely would've noticed her, even in his dazed state he was aware enough to know that she was stunningly attractive. Knee high black leather boots, little black shorts and a tight red vest top. Her hair was very straight and shoulder length with her fringe matching the colour of her top and the rest matching the boots and shorts. Had her feet crossed over, swinging gently back and to. This sudden appearance had completely confused him, had he died? Was this some sort of after life? Was she an Angel? Looking again at the outfit and hair, was she a Hell's Angel? 
'What...where.who?' His words had the rhythm of scratched vinyl.
'Let me guess,' she spoke with the air of a disappointed mother, despite looking younger than the dazed man. ' You've got a concussion; again.' 
Slowly pushed himself up enough so he could slide over to a wall and sit up against it. 'Do you know me?' 
'Oh wow, all right here we go again, I'll explain it all to you,' she jumped up off the table and began to pace around the room like an animated teacher trying to inspire a class. 'Please do not ridicule me and question my sanity like you normally do at this point, I' m just trying to aid the recovery of your memory loss. Here goes,' she took a deep breath.
'You and I are two of the four Immortal Guardians of planet earth. The four of us are charged with protecting this planet from every possible danger. From demons and aliens to idiotic warring nations. We are stationed around the world, each of us having an area that we're in charge of. You are based in Europe, we're in Geneva now by the way, you haven't been here since 1864 and that' s nearly a hundred and fifty years ago, so you probably wouldn't recognise it too much even without the concussion. I' m based in the Americas, Zulu is in Africa and Legna covers Asia and Australia. Most of the time we work alone but when something big happens we work together to save the world. Only a select bunch of humans know of our existence and they help us, the rest of them go about their pathetic little lives completely unaware and therefore unappreciative of our life saving heroics. One of those big moments is upon us and true to form you've obviously tried to sort it out all by yourself and in so doing have extended your own world record mark for the most number of concussions ever. All four of us are very gifted fighters but you have a harmful habit of over estimating just how good you are.' 
'Taking a lot on faith here but I'll humour you. Where are the other two?' 
'They' re on their way to Europe, but they can' t get her as fast as me.' 
'Why not?' 
'Because I can teleport.' 
'Really?' 
'Yes, on top of the fighting, each of us has a particular skill, mine is teleportation, Zulu can communicate telepathically, read minds and project his thoughts into other minds - hell of a card player and Legna can change her physical appearance so she looks like anybody she wants.' 
'And mine would be?' 
'Knowledge I suppose. You know every language that's ever been spoken on this planet, and you know every custom on the planet, very useful when we don' t want to offend anyone.' 
'Knowledge? That' s my special skill? You three get cool skills and I get to be super geek?' 
'One way of looking at it.' 
'So we' re immortals, I' m guessing us two will have quite a history,' clearly hormones were the first thing to recovery completely from the concussion.
'Oh God, I pray that one day you' ll recover from a concussion and not remember that you are attracted to me. Over two thousand years of me washing my hair, has not dampened your baffling optimism.'
All articles on this website by Lupine Rob are copyright ©Lupine Rob and should not be reproduced without the author's prior written consent. All opinions are the opinions of their respective authors and are not necessarily the opinions of The Writers' Circle.
Comments 
Carl
02 December 2008
I enjoyed reading this.

You've got a few problems with punctuation, nothing major.

E.g. "His eyes flickered open, a small pool ..." should be "His eyes flickered open. A small pool ..."

Plus a few places where you've missed words out:

"Took him a moment ..." should be "It took him a moment ..."
"Blinked a couple of times ..." should be "He blinked a couple of times ..."

Plus you've used contractions outside of dialogue which you should replace. Not sure if it's a golden rule or not! E.g. "could've sworn" should be "could have sworn".

Also I wasn't keen on "like an animated teacher trying to inspire a class". I think if you replace it all with "animatedly" or something like that it may read better.

Finally I think you might want to rewrite the "The four of us are charged with ..." paragraph because they don't sound imperious enough. They sound a bit like sales reps. or something: a bit like Zulu covers Scunthorpe and Legna covers Blackpool :D

All these are only small details! I enjoyed your work.
will2power
02 December 2008
It sounds like you have  a pretty good idea. However in reading this, I felt you were rushing to get to the action without taking the time to flesh out a little more about your characters. Not to sound to vulgar, but it seems like a case where you're trying to get to the sex without the foreplay. 

She goes into this dialog about who he is, without telling him his name first. I would imagine that if they were two people who work so closely with one another, and he's attracted to her--then the conversation seems devoid of real concern. She seems vaguely irritated with him--perhaps take some time to hint at the reasons why. Perhaps it's a running joke for them, or happened because he did something stupid, which would be ironic for someone who possesses so much knowledge.

As a reader, I don't like for stories to give me too much too quickly, but assume that I'm smart enough to get the gist of what's going on by describing the actions instead of out and out telling me what everything's about. Placing a character right into the action is great, but it takes a lot of foreshadowing and flashback to connect them to the rest of the story. You've eliminated all of that and just gone straight to spoiling the experience of discovery for the reader.
will2power
02 December 2008
I have critiqued your work as follows -

[First impressions]
I found your work interesting and believable
The beginning was interesting enough. I didn't really feel a rythmn develop in the part that was posted. I feel like after two pages I know too much about the story, and it takes away from building suspense and interest in the conflict.
[Beginning]
Not really. I feel that if the author took a little more time in introducing the character to the situation, I might be more enclined to read further. I feel they just kind of jumped into the meat of the story without giving the reader time to develop any interest.
[Plot]
I thought your plot was good, exciting and distinguishable and had a central theme
I think you have a good basic plot. I hope that you will go back to the opening pages and really set a tone for how you plan to move the story forward.
[Characters]
Your characters jumped off the page at me and attracted my attention
Your physical descriptions were very good. I think that you should take a good deal of time to develop descriptions of their mannerisms as they interact with one another. How does she sound? Does she have an accent? Did she seem foreign? Was she graceful? Nervous? Did she seem rushed?
[Dialogue]
Unfortunately, your dialogue was sometimes irrelevant
I could sense real conflict, attitudes and intentions from the dialogue
The dialog was good. Like I said before, it just seemed a little rushed. Too much, too soon. Scale it back and draw it out a little.
[Viewpoint]
There was more than one person's view in a given chapter
[Pruning and polishing]
There was too much dialogue where specific details would have made a greater impact
[Showing versus telling]
There were problems with showing versus telling
This is really important. I would rather see more of a narrative behind the characters than direct dialog in a scene like this. I tend to think in a scene like this, actions are definitely more important to establishing the character of each person in the scene. If she were talking to him while helping him up, and seeing to the cut or gash that he sustained--was she tender or efficient? Did she linger a little too long in touching him? That sort of thing gives you a sense of what her feelings are without coming right out and saying them.
[Overall comments]
You've got a really good premise. I would like to see more. I hope I can be of help in giving you an honest opinion of what I see.
rubyblaze
02 December 2008
Hi Rob,

I enjoyed this and it left me wanting more,

I noticed other feedback about not knowing why the female guardian sounded irritated.  The way i took it was that she was sick and frustrated of having to deal with his concussion and loss of memory and therefore fed up of the constant explainations.  We do not know if his irresponsible behaviour is the cause of these incidents, we will learn more as the book unfolds, if it is his own fault she would be irritated.

As for showing not telling i cannot see another way that you could have passed to the reader all the background needed in any other way.  Actually i thought it was a clever way of getting round this by communicating it all through the female guardians dialogue.  By doing it this way the information was given because of his continual loss of memory and therefore part of the scene and not an aside.

A very original plot line seems to be developing and i dont think that you have given away too much too soon as i still have no idea where the novel will take me.

I've tried hard to find lots of down points cos i know how much you love them !(lol) but i only have a couple.
I would have liked to have known the names of the two characters in the scene and couple of instances of grammar and punctuation but im sure you already know that and its in a draft phase.

Looking forward to reading more

Ruby
Lupine Rob
03 December 2008
Thanks for all your comments guys and taking the time to read my work. Thanks Ruby for being on the same wavelenght as me, the reason for her irritation is indeed the fact that he has been concussed so many times previously and she is way past fed up of explaining the whole thing to him.
I thought it was a different way of explaining a story, had what she said just been narrative then I completely agree that it would have just been needless bombarding of the reader. 
I do understand what you are saying with regards to it all being a bit quick for the start of a novel. With virtually all of the novels I have written the first thing I write never ends up as being the actual opening page. With this one I am already thinking that before this scene I'll have a scene on each of the Guardians, seperately going about their business, without making it clear exactly who or what they are. Then this scene could come in after that.
Carl with regards to a few missing words, sometimes I do that on purpose as a style type of thing, I believe over a longer piece the reader gets used to it and it helps set my own rhytmn.
Some people who have read it loved the 'like a teacher trying to inspire a class' line, so I think I'll keep that one in.
Thanks again all of you for your comments.
rubyblaze
03 December 2008
Hi Rob,
Sorry me again!

I just wanted to add this point.

This is a personal preference of mine ok?
 
If i start reading a novel i want to be hooked from page 1.  This usually means my attention is grabbed if the writer 'goes for the kill' so to speak almost immediately.  This way i want to turn the page and find out why, when, where etc.
So i actually like the action to start straight away even though i dont know the characters, the reasons for their actions and their backgrounds.  All these goodies are yet to be discovered and therefore keep me reading.

As i say this is a personal preference and as far as i know obviously works or these books would never be published in order for me to read.

Start the way you want to,  to me its far more readable than being given a chapter of labourious description.

Ruby
Lupine Rob
03 December 2008
Thanks Ruby!!! I thought some people would like a fast paced start, thanks for backing that up! As you say there are several books out there that start like that, probably particularly modern books, so we can't be the only two that at least sometimes like to get right down to the action!

Writer
Lupine Rob

Total posts:
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Roles: Writer
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Love writing fiction, especially novels. Have written seven so far and half way through another. I like writing about anything but so far they fall into one of three categories: sport/human drama, crime ... (Read more)
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